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From "The Afterlife of Trees" /Neither sheep nor cows crisscross our lives as much./Trees dangle apples and nuts for the hungry, throw/shade down for lovers, mark sites for the lost,/and first and last are/utterly themselves,/fuller and finer than any letter or number,/any 7 or T. Their fragmentary afterlife goes on/in a guitar's body and a hockey stick, in the beaked faces/up a totem pole and the stake through a vampire's heart,/in a fragrant cheese-board, a Welsh love-spoon,/a sweat-stained axe handle, a giant green dragonfly suspended from the ceiling with twine,/in the spellbinding shapechanging/behind a glass woodstove-door.
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In White Summer, Joelle Biele investigates the problems of personal and cultural memory. Rich with images of flight and displacement, Biele's poems show a love for words, their music and physicality. In lyric addresses, historical meditations, and autobiographical narratives, she takes readers on a journey that includes stops at a dinner party in ancient Rome, a market square in Germany, an Italian feast in the Bronx, and the main concourse of Manhattan's Grand Central Station. She shows a sharp eye for the telling detail whether she is studying the migrations of birds or s
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Nature in art --- Arts --- Nature (Aesthetics) --- Congresses --- Nature in art - Congresses. --- Arts - Congresses. --- Nature (Aesthetics) - Congresses
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Belgium --- military camps --- nature
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